Bibliography

GENERAL

Boschloo, Anton W. A. et. al., eds. Academies of Art Between Renaissance and Romanticism. ‘s Gravenhage: SDU Uitgeverij, 1989.
Burns, Thea. The Luminous Trace: Drawing and Writing in Metalpoint. London: Archetype Publications, 2012.
Dexter, Emma. Vitamin D: New Perspectives in Drawing. New York and London, 2005.
Dethloff, Diana, ed. Drawing: Masters and Methods, Raphael to Redon. New York: Harry N. Abrams, 1992.
De Tolnay, Charles. History and Technique of Old Master Drawings. New York: H. Bittner and Company, 1943.
Goldman, Paul. Looking at Prints, Drawings and Watercolours: A Guide to Technical Terms. London: The British Museum Press, 2006.
Goldstein, Carl. Teaching Art: Academies and Schools from Vasari to Albers. Cambridge and New York: Cambridge University Press, 1996.
Grasselli, Margaret Morgan et. al. Private Treasures: Four Centuries of European Master Drawing. Washington: National Gallery of Art, 2007.
Hale, Robert Beverly. Drawing Lessons from the Great Masters. New York: Watson-Guptill, 1989.
Harpath, Richar, and Friedrich Kobler, “Federzeichnung,” Reallexikon zur deutchen Kunstgeschichte, VII, 1979, cols. 970-1000.
Holcomb, Melanie. Pen and Parchment: Drawing in the Middle Ages. New York: The Metropolitan Museum of Art; New Haven and London: Yale University Press, 2009.
Hoptman, Laura. Drawing Now: eight propositions. New York: Museum of Modern Art, 2002.
Hutter, Heribert. Drawing: History and Technique. New York: McGraw-Hill, 1968.
Jones, Leslie. Drawing Surrealism. Los Angeles: Los Angeles County Museum of Art, 2012.
Meder, J. The Mastery of Drawing, 2. vols. New York, 1978.
Mendelowitz, Daniel M. Drawing. New York: Holt, Rinehart and Winston, 1967.
Monnier, Geneviève, History of an Art: Drawing. New York: Rizzoli, 1979.
Monnier, Geneviève, Pastels from the 16th to the 20th Century. New York: Rizzoli International, 1984.
Oxford Art Online.
Petroski, Henry. The Pencil: A History of Design and Circumstance. New York: Knopf, 1993.
Rattemeyer, Christian. Vitamin D2: New Perspectives in Drawing. New York and London, 2013.
Rose, Bernice. Allegories of Modernism: Contemporary Drawing. New York: The Museum of Modern Art, 1992.
Rose, Bernice. Drawing Now. New York: The Museum of Modern Art, 1976.
Rosenberg, Pierre. Great Draughtsmen from Pisanello to Picasso. Cambridge: Harvard University Press, 1959.
Schröder, Klaus A. and Maria L. Sternath. Masterworks from the Albertina. Vienna: Albertina, 2001.
Scheller, Robert W. Exemplum: Model-Book Drawings and the Practice of Artistic Transmission in the Middle Ages (ca. 900 – ca. 1470). Amsterdam: Amsterdam University Press, 1995.
Strauss, Walter, and Tracie Felker, eds. Drawings Defined. New York: Abaris Books, 1987.
Watrous, James. The Craft of Old-Master Drawings. Madison: University of Wisconsin Press, 1967.

FRANCE
Bjurström, Per. The Art of Drawing in France 1400-1900: Drawings from the Nationalmuseum, Stockholm. London: Sotheby’s Publications; New York: Harper & Row, 1987.
Campbell, Richand J. and Victor Carlson, Visions of Antiquity: Neoclassical Figure Drawings. Los Angeles County Museum of Art, 1993.
Fisher, Jay McKean, et. al. The Essence of Line: French Drawings from Ingres to Degas. Baltimore: Baltimore Museum of Art and Walters Art Museum; University Park: Pennsylvania State University Press, 2005.
Keller, Horst. Watercolors and Drawings of the French Impressionists. New York: HarryN. Abrams, 1982.
Joachim, Harold. French Drawings and Sketchbooks of the Eighteenth Century. Chicago: The Art Institute of Chicago (The University of Chicago Press), 1977.
Lloyd, Christopher, and Richard Thomson. Impressionist Drawings from British Public and Private Collections. Oxford: Phaidon Press and the Arts Coucil, 1986.
Mongan, Agnes, David to Corot: French Drawings in the Fogg Art Museum. Cambridge, Harvard University Press, 1996.
Rosenberg, Pierre. From Drawing to Painting: Poussin, Watteau, Fragonard, David, and Ingres. Princeton: Princeton University Press, 2000.
Rubin, James Henry. Eighteenth-Century French Life Drawing. Princeton: Princeton University Press, 1977.
Sérullaz, Maurice. French Drawings from Prud’hon to Daumier. Greenwich: New York Graphic Society, 1966.
Stein, Perrin. French Drawings from the British Museum: Clouet to Seurat. London: The British Museum Press; New York: The Metropolitan Museum of Art, 2005.
Stein, Perrin, and Mary Tavener Holmes. Eighteenth-Century French Drawings in New York Collections. New York: The Metropolitan Museum of Art, 1999.
Wadley, Nicholas. Impressionist and Post-Impressionist Drawing. New York: Dutton Studio Books, 1991.

GERMANY
Müller, Christian. From Schongauer to Holbien: Master Drawings from Basel to Berlin. Washington: National Gallery of Art, 1999.
Rasmussen, Mickael B. German Drawings before 1540. Copenhagen: Statens Museum for Kunst, 2000.
Rowlands, John. The Age of Dürer and Holbien: German Drawing 1400-1550. New York: Cambridge University Press, 1988.

ITALY
Alberti, Leon Battista. On Painting. Trans. by John R. Spencer. New Haven: Yale, 1956.
Ames-Lewis, Francis. Drawing in Early Renaissance Italy. New Haven: Yale University Press, 2000.
Ames-Lewis, Francis. Drawing in the Italian Renaissance Workshop. London: Victoria and Albert Museum, 1983.
Ames-Lewis, Francis. “Training and practice in the early Renaissance workshop: observations on Benozzo Gozzoli’s Rotterdam Sketchbook,” Drawing 1400- 1600: Invention and Innovation. Ed. Stuart Currie. Aldershot: Ashgate, 1998, pp. 26-45.
Bambach, Carmen. Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300-1600. New York: Cambridge University Press, 1999.
Benati, Daniele. Bolognese Drawings: XVI-XIX Centuries. New York: Margot Gordon Gallery, 2001.
Bomford, David, ed. Underdrawings in Renaissance Paintings. London: National Gallery, 2002.
Brooks, Julian, and Whistler, Catherine. Graceful and True: Drawing in Florence c. 1600. Oxford: Ashmolean Museum, 2003.
Cennini, Cennino d’Andrea. The Craftsman’s Handbook (Il Libro dell’ Arte), transl. by Daniel V. Thompson, Jr. New York: Dover Publications, 1960.
Cropper, Elizabeth, ed. Florentine Drawing in the Time of Lorenzo the Magnificent. Bologna: Nuova Alfa Editoriale; Baltimore: Johns Hopkins University Press, 1992.
Currie, Stuart, ed. Drawing 1400-1600: Invention and Innovation. Aldershot: Ashgate, 1998.
Elen, Albert J. Italian Late-Medieval and Renaissance Drawing Books. Leiden: A. J. Elen, 1995.
Goldschmidt, Ernst (ed.). Masterpieces of Eighteenth-Century Venetian Drawing. London: Thames and Hudson, 1983.
Pignatti, Terisio, and Giandomenico Romanelli. Drawings from Venice: Masterworks from the Museo Correr, Venice. New York: The Drawing Center, 1985.
Popham, A. E. and Johannes Wilde. Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty the King at Windsor Castle. London: Phaidon Press, 1949.
Romanelli, Giandomenico, et. al. Masterpieces of Eighteenth-Century Venetian Drawing. London and New York: Thames and Hudson, 1983.
Stampfle, Felice, and Jacob Bean. The Seventeenth Century in Italy (Drawings from New York Collections, II). New York: The Metropolitan Museum of Art and The Pierpont Morgan Library; Greenwich, CT: New York Graphic Society, 1967.
Tietze, Hans, and E. Tietze-Conrat. The Drawings of the Venetian Painters in the 15th and 16th Centuries. New York: J. J. Augustin, 1944.
Turner, Nicholas. Florentine Drawings of the Sixteenth Century. New York: Cambridge University Press, 1986.
Turner, Nicholas. Roman Baroque Drawings c. 1620 to c. 1700. London: British Museum Press, 1999.

The Netherlands
Koreny, Fritz. Early Netherlandish Drawings from Jan van Eyck to Hieronymous Bosch. Antwerp, Rubenshuis, 2002.
National Gallery of Art, Washington D.C. The Age of Bruegel: Netherlandish Drawings in the Sixteenth Century. New York: Cambridge University Press, 1986.
Robinson, William W. Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection. Harvard University Art Museum, Cambridge. New Haven: Yale University Press, 2002.
Royalton-Kisch, Martin. Drawings by Rembrandt and His Circle in the British Museum. London: British Museum Press, 1992.
Schapelhouman, Marijn, and Peter Schatborn. Dutch Drawing of the Seventeenth Century in the Rijksmuseum, Amsterdam: Artists Born between 1580 and 1600. 2 vols. Amsterdam: Rijksmuseum and London: Merrell Holberton, 1998.
Schatborn, Peter. Drawn to Warmth: 17th-Century Dutch Artists in Italy. Amsterdam: Rijksmuseum; Zwolle: Waanders Publishers, 2001.
Schatborn, Peter. Dutch Figure Drawing from the Seventeenth Century. The Hague: Government Publishing Office, 1981.
Turner, Jane Shoaf. Dutch Drawings in the Pierpont Morgan Library: Seventeenth to Nineteenth Centuries, 2 vols. New York: The Pierpont Morgan Library, 2006.

Spain
Angulo, Diego, and Alfonso E. Pérez Sánchez. A Corpus of Spanish Drawings, 4 vols. London: Harvey Miller; Boston: New York Graphic Society, 1975-.
Boubli, Lizzie. Inventaire général des dessins: école espagnole, xvie-xviiie siècle. Paris: Réunion des musées nationaux, 2002.
Boubli, Lizzie. “The State of Scholarship of Sixteenth- and Seventeenth-Century Spanish Drawings,” Master Drawings, 37, 4, 1999, 349-364.
Brown, Jonathan. The Spanish Manner: Drawings from Ribera to Goya. New York: The Frick Collection, 2010.
Pérez Sanchez, Alfonso E. Historia del dibujo en España de la Edad Media a Goya. Madrid: Cátedra, 1986.
Sánchez Cantón, F. J. Spanish Drawings from the 10th to the 19th Century (Drawings of the Masters). Boston, Toronto: Little, Brown and Company, 1976.
Smith, Gridley McKim. Spanish Baroque Drawings in North American Collections. Lawrence: University of Kansas Museum of Art, 1974.

ARTISTS

Andrea del Sarto
Petrioli Tofani, Annamaria. Andrea del Sarto 1486-1530: Dipinti e disegni a Firenze. Firenze: Palazzo Pitti, 1986.
Shearman, John. Andrea del Sarto. Oxford: Clarendon Press, 1965.

Arp
Hans/Jean Arp: le temps des papiers déchires. Paris: Musée national d’art moderne, Centre Georges Pompidou, 1983.
Soby, James Thrall. Arp. New York: Museum of Modern Art, 1958.
Werner, Wolfgang. Hans Arp, 1886-1965: Dada, Art Concret. Bremen: Grapisches Kabinett Kunsthandel Wolfgang Werner, 1991.

Barocci
Degrazia, Diana. Correggio and his Legacy: Sixteenth-Century Emilian Drawings. Washington, D.C.: National Gallery of Ary, 1984.
Emiliani, Andrea. La Mostra di Federico Barocci. Bologna, Museo Civico: Alfa, 1975.
Pillsbury, Edmund P. The Graphic Art of Federico Barocci: Selected Drawings and Prints. New Haven: Yale University Art Gallery, 1978.
Scrase, David. A Touch of the Divine: Drawings by Federico Barocci in British Collections. Cambridge: The Fitzwilliam Museum, 2006.
Turner, Nicolas. Federico Barocci. Paris: Vilo International, 2000.

Fra Bartolommeo
Fischer, Chris. Desegni di Fra Bartolommeo e della sua scuola. Firenze: Olschki, 1986.
Fischer, Chris. Fra Bartolommeo: Master Draughtsman of the High Renaissance. Seattle: University of Washington Press / Rotterdam: Museum Boymans-van Beuningen, 1990.

Basquiat
Cheim, John. Jean Michel Basquiat Drawings. New York: Robert Miller Gallery, 1990.
Emmerling, Leonhard. Jean-Michel Basquiat. Köln: Taschen, 2003, 2016.
Hoffman, Fred. Jean-Michel Basquiat Drawing. New York: Aquavella Gallery; New York, Rizzoli, 2014.

Bellini
Degenhart, Bernhard, and Annegrit Schmitt. Jacopo Bellini: The Louvre Album of Drawings. New York, 1984.
Eisler, Colin. The Genius of Jacopo Bellini: The Complete Paintings and Drawings. New York: Abrams, 1989.

Beuys
Antliff, Allan. Joseph Beuys. London and New York: Phaidon, 2014.
Bastian, C. A. H. Joseph Beuys: Zeichnungen / Drawings. Berlin: Galerie Bastian. New York: Kerber, 2013.
Schade, Werner. Joseph Beuys: Early Drawings. New York: Norton, 2014.

Boucher
Brugerolles, Emmanuelle. Boucher, Watteau, and the Origin of the Rococo. Paris: École Nationale Supérior des Beaux-Arts, 2004.
Laing, Alastair. The Drawings of François Boucher. New York: American Federation of the Arts, Scala Publishers, 2003.

Boudin
Bergeret-Gourbin, Anne-Marie. Eugène Boudin: peintures et dessins. Catalogue raisonné, Musée Eugène Boudin, Honfleur. Honfleur: Musée Eugène Boudin; Paris: Sogomy Editions d’art, 1996.
Jean-Aubry, G. Eugène Boudin. Greenwich CT: New York Graphic Society, 1968
Manoeuvre, Laurent. Eugène Boudin: dessins inédits. Paris: Réunion des Musées Nationaux, 1987.
Sérullaz, Maurice, Lise Duclaux, and Geneviève Monnier. Boudin: aquarelles et pastels. Paris: Musée du Louvre, Cabinet des Dessins, 1965.

Bruegel
Mielke, Hans. Pieter Bruegel: Die Zeichnungen. Turnhout: Brepols, 1996.
Orenstein Nadine M. Pieter Bruegel the Elder: Drawings and Prints. New Haven and London: Yale, 2001.

Canaletto
Nepi Scirè, Giovanna [annotated by]. Canaletto’s Sketchbook. (2 vols.) Venice: Canal & Stamperia, 1997.
Pignatti, Terisio. Canaletto: Selected Drawings. University Park: Pennsylvania State University Press, 1970.

Cano
Véliz, Zahira. Alonso Cano: dibujos. Madrid: Museo del Prado, 2001.
Wethey, Harold E. “Alonso Cano’s Drawings,” Art Bulletin, 34, 1952, 218-234.

Carpaccio
Muraro, Michelangelo. I Disegni di Vittore Carpaccio. Firenze: La Nuova Italia, 1977.

Carracci
Benati, Daniele. The Drawings of Annibale Carracci. Washington, D.C.: National Gallery of Art, 1999.
Feigenbaum, Gail, “Practice in the Carracci Academy,” The Artist’s Workshop, ed. Peter M. Lukehart. Studies in the History of Art, 38. Washington: National Gallery of Art, 1993.
Goldstein, Carl. Visual Fact Over Verbal Fiction. Cambridge: Cambridge University Press, 1988.
Loisel, Catherine. Ludovico, Agostino, Annibale Carracci (Inventaire général des dessins italiens, VII). Paris: Réunion des musées nationaux, 2005.
Robertson, Clare, and Whistler, Catherine. Drawings by the Carracci from British Collections. Oxford: Ashmolean Museum; London: Hazlitt, Gooden & Fox, 1996.
Wittkower, Rudolph. The Drawings of the Carracci in the Collection of Her Majesty the Queen at Windsor Castle. London: Phaidon, 1952.

Cézanne
Adriani, Götz. Cézanne Watercolors. New York: Abrams, 1983.
Andersen, Wayne V. “Cézanne’s Sketchbook in the Art Institute of Chicago,” The Burlington Magazine, 104 / 710 (May, 1962), 196-201.
Andersen, Wayne V. Cézanne’s Portrait Drawings. Cambridge: MIT Press, 1970.
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich: New York Graphic Society, 1973.
Gowing, Lawrence. Paul Cézanne: The Basel Sketchbooks. New York: The Museum of Modern Art, 1988.
Koepplin, Dieter, et. al. Paul Cézanne: Die Basler Zeichnungen. Basel: Kunstmuseum, 1988.
Neumeyer, Alfred. Cézanne: Drawings. New York: Thomas Yoseloff / Sagamore Press, 1958.
Reff, Theodore. “Cézanne’s Drawings, 1875-1885,” The Burlington Magazine, 101 / 674 (May, 1959), 170-176.
Reff, Theodore, and Innis Howe Shoemaker. Paul Cézanne: Two Sketchbooks. Philadelphia: Philadelphia Museum of Art.
Rewald, John. Paul Cézanne Sketchbook 1875-1885. New York: Johnson Reprint, Harcourt Brace Jovanovich, 1982.
Rewald, John. Paul Cézanne: The Watercolors: A Catalogue Raisonné. Boston: Little, Brown, 1983.
Schniewind, Carl O. A Cézanne Sketchbook [Art Institute of Chicago]: Figures, Portraits, Landscapes, and Still Lifes. New York, Dover Publications, 1985.
Siblík, Jirí. Cézanne: Drawings and Watercolors. St. Paul, 3M Books, 1984.
Simms, Matthew. Cézanne’s Watercolors: Between Drawing and Painting. New Haven and London: Yale University Press, 2008.

Chassériau
Prat, Louis-Antoine. Théodore Chassériau 1819-1856: dessins conservés en dehors du Louvre. (Cahiers du Dessin Français No 5). Paris: Galerie de Bayser, 1988.

Claude Lorraine
Kitson, Michael. “The Place of drawings in the Art of Claude Lorraine,” Latin American Art, and the Baroque Period in Europe (International Congress of the History of Art). Princeton: Princeton University Press, 1963, pp. 96-117.
Rand, Richard. Claude Lorrain—The Painter as Draftsman: Drawings from the British Museum. New Haven and London: Yale University Press, 2006.
Whiteley, J. J. L. Claude Lorrain: Drawings from the Collections of the British Museum and the Ashmolean Museum. London: British Museum Press, 1998.

Corot
Bouret, Claude, Arlette Sérullaz, et. al. Corot: le génie du trait: estampes et dessins. Paris: Bibliothèque de France, 1996.
Galassi, Peter. Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition. New Haven and London: Yale University Press, 1991.
Sérullaz, Arlette. Corot (Louvre Drawing Gallery). Paris: Musée du Louvre (Milan: 5 Continents), 2007.

Correggio
Bambach, Carmen. Correggio and Parmigianino: Master Draughtsmen of the Renaissance. London: British Museum, 2000.
Degrazia, Diana. Correggio and his Legacy: Sixteenth-Century Emilian Drawings. Washington, D.C.: National Gallery of Ary, 1984.

Daumier
Ives, Colta et al. Daumier Drawings. New York: The Metropolitan Museum of Art, 1992.
Laughton, Bruce. The Drawings of Daumier and Millet. New Haven: Yale University Press, 1991.
Maison, K. E. Daumier Drawings. New York: Yoseloff, 1960.

David
Accademia di Francia a Roma. David e Roma. Rome: De Luca, 1981.
Hautecoeur, Louis. Louis David. Paris: La Table Ronde, 1954.
Johnson, Dorothy. Jacques-Louis David: Art in Metamorphosis. Princeton: Princeton University Press, 1993.
Rosenberg, Pierre, and Louis-Antoine Prat. Jacques-Louis David, 1748-1825: Catalogue raisonné des dessins. 2 vols. Milan: Leonardo, 2002.
Schnapper, Antoine, and Arlette Sérullaz, Jacques-Louis David 1748-1825. Paris: Musée du Louvre, 1989.
Sérullaz, Arlette. Dessins de Jacques-Louis David, 1748-1825. Paris: Réunion des musées nationaux, 1991.
Sérullaz, Arlette, and Louis Antoine Prat. David (Louvre Drawing Gallery). Paris: Musée du Louvre (5 Continents Editions), 2005.

Degas
Adriani, Götz. Degas: Pastels, Oil Sketches, Drawings. New York: Abbeville, 1985.
Armstrong, Carol. A Degas Sketchbook. Los Angeles: The J. Paul Getty Museum, 2000.
Boggs, Jean Southerland, and Anne Maheux, Degas Pastels. New York: Braziller, 1992.
Boggs, Jean Southerland. Drawings by Degas. St. Louis: City Art Museum of St. Louis, 1966.
Copplestone, Trewin. Methods of the Masters: Degas. London: Brian Trodd Publishing House, 1990.
Lloyd, Christopher. Edgar Degas: Drawings and Pastels. Los Angeles: J. Paul Getty Museum, 2014.
Pickvance, Ronald. Drawings [by] Degas. Feltham NY: Hamlyn, 1969.
Reff, Theodore. The Notebooks of Edgar Degas. 2 vols. London: Clarendon Press, 1976.
Rouart, Denis. Degas: In Search of His Technique. New York: Rizzoli, 1988

Delacroix
Johnson, Lee. Delacroix Pastels. New York: Braziller, 1995.
Lassalle, Hélène. Ingres et Delacroix: dessins et aquarelles. Bruxelles: Palais des beaux-arts [Gand: Snoeck-Ducaju],1986.
Sérullaz, Arlette. Delacroix (Louvre Drawing Gallery). Paris: Musée du Louvre (5 Continents Editions), 2004.
Sérullaz, Maurice, et. al. Delacroix in Morocco. Paris, New York: Flammarion, 1994.
Sérullaz, Maurice. “L’oeuvre dessiné d’Eugène Delacroix,” Ingres et Delacroix: dessins et aquarelles. Gand: Snoeck-Ducaju, 1986.

Domenichino
Pope-Hennessy, John. The Drawings of Domenichino in the Collection of His Majesty the King at Windsor Castle. New York: Phaidon, 1948.

Dürer
Koschatzky, Walter, and Alice Strobl. Dürer Drawings in the Albertina. Greenwich, Conn.: New York Graphic Society, 1972.
Panofsky, Erwin. The Life and Art of Albrecht Dürer. Princeton: Princeton University Press, 1955, reprinted 1971.
Strauss, Walter. The Complete Drawings of Albrecht Dürer, 6 vols. New York: Abaris Books, 1974.
White, Christopher. Dürer: the Artist and his Drawing. London: Phaidon, 1971.
Wölfflin, Heinrich. Drawings of Albrecht Dürer. New York: Dover Publications, 1970.

Van Dyck
Brown, Christopher. The Drawings of Anthony van Dyck. New York: The Pierpont Morgan Library, 1991
Meij, A. W. F. M. Rubens, Jordains, Van Dyck, and Their Circle: Flemish Master Drawings from the Museum Boijmans van Beuningen. Rotterdam: Nai, 2001.

Flaxman
Bindman, David, ed. Flaxman: Master of the Purest Line. London: Sir John Soane’s Museum, 2003.
Essick, Robert, and Jenijoy La Belle. Flaxman’s Illustrations to Homer. New York: Dover Publications, 1977.
Irwin, David. John Flaxman 1755-1826: Sculptor, Illustrator, Designer. New York: Rizzoli, 1979.
Wark, Robert R. Drawings by John Flaxman in the Huntington Collection. San Marino CA: Huntington Library, 1970.

Fragonard
Chappey, Frédéric. Fragonard et le voyage en Italie 1773-1774. Paris: Musée d’Art et d’Histoire Louis-Senlecq, Somogy Éditions d’Art, 2001.
Cuzin, Jean-Pierre. Fragonard. Paris: Musée du Louvre; Milan: 5 Continents, 2003.
Mongan, Elizabeth, Philip Hofer, and Jean Seznec. Fragonard: Drawings for Ariosto. New York: Pantheon Books, 1945.
Musée du Petit Palais. Fragonard et le dessin français au XVIIIe siècle. Paris: Paris-Musées, 1992.
Rosenberg, Pierre. Fragonard. New York: The Metropolitan Museum of Art, Abrams, 1988.
Williams, Eunice. Drawings by Fragonard in North American Collections. Washington: National Gallery of Art, 1978.

Van Gogh
Heugten, Sjraar van. Van Gogh Master Draughtsman. New York: Harry N. Abrams, 2005.
Heugten, Sjraar van. Vincent van Gogh Drawings, 4 vols. London: Lund Humpheries; Wappingers Falls: Antique Collectors’ Club: 1996-
Ives, Colta et al. Vincent van Gogh: The Drawings. New York: Metropolitan Museum of Art/ New Haven: Yale University Press, 2005.
Novotny, Fritz. “Reflections on a Drawing by Van Gogh,” The Art Bulletin, 35, 1, Mar., 1953, 35-43.
Wolk, Johannes van der. The Seven Sketchbooks of Vincent van Gogh. New York: Abrams, 1987.

Gorky
Karmel, Pepe, “Arshile Gorky: Anatomical Blackboard,” Master Drawings 40, 1 (Spring, 2002), 9-23.
Lader, Melvin P. Arshile Gorky: Three Decades of Drawings. New York: Gerald Peters Gallery, 1990.
Lee, Janie C. Arshile Gorky: A Retrospective of Drawings. New York: Whitney Museum (Abrams), 2003.

Goya
Gassier, Pierre. Goya, His Life and Work. London: Thames and Hudson, 1971.
López-Rey, José. A Cycle of Goya’s Drawings: The Expression of Truth and Beauty. New York: Macmillan, 1956.
Mena Marques, Manuela B. El cuaderno italiano, 1770-1786: Las orígenes del arte de Goya. Madrid: Museo del Prado, 1994.
Wilson-Bareau, Juliet. Goya: Drawings from his Private Albums. London: Hayward Gallery, 2001.

El Greco

Turner, Nicolas, “A Proposal for El Greco as a Draftsman,” Master Drawings, 45, 3 (Autumn, 2007), 291-324.

Greuze
Munhall, Edgar. Greuze the Draftsman. New York: The Frick Collection (Merrell Publishers), 2002.

Grünewald
Ruhmer, Eberhard, Grünewald Drawings: Complete Edition. London: Phaidon, 1970.
Schoenberger, Guido. The Drawings of Mathis Gothart Nithart called Gruenewald. New York: H. Bittner, 1948.

Guardi
Byam Shaw, James. The Drawings of Francesco Guardi. London: Faber and Faber,1951.
Morassi, Antonio. Guardi: tutti i disegni di Antonio, Francesco e Giacomo Guardi. Venice: Alfieri, 1975.
Romanelli, Giandomenico, et. al. Francesco Guardi: disegni del Museo Correr di Venezia. Exhibition: Castel Caldés, Valle del Sole/Trentino, Italy, 1993.

Guercino
Stone, David M. Guercino: Master Draftsman: Works from North American Collections. Cambridge: Harvard University Art Museums, 1991.
Turner, Nicholas, and Carol Plazzotta. Drawings by Guercino from British Collections. London: British Museum, 1991.
Turner, Nicholas. Guercino: Drawings from Windsor Castle. Washington, D.C.: National Gallery of Art, 1991.

Ingres
Lassalle, Hélène. Ingres et Delacroix: dessins et aquarelles. Bruxelles: Palais des beaux- arts [Gand: Snoeck-Ducaju],1986.
Mongan, Agnes. “A propos des dessins d’Ingres,” Ingres et Delacroix: dessins et aquarelles. Gand: Snoeck-Ducaju, 1986.
Mongan, Agnes and Hans Naef. Ingres: Centennial Exhibition, 1867-1967: Drawings, Watercolors and Oil Sketches from American Collections. Fogg Art Museum, 1967. Greenwich: New York Graphic Society, 1967.
Prat, Louis-Antoine. Ingres (Louvre Drawing Gallery). Milan: 5 Continents, 2004. Paris: Musée du Louvre, 2004.

Johns
Rosenthal, Nan, and Ruth E. Fine. The Drawings of Jasper Johns. Washington: National Gallery of Art. New York: Thames And Hudson, 1990.
Shapiro, David. Jasper Johns: Drawings 1954-1984. New York: Abrams, 1984.

Jordaens
D’Hulst, R.-A. Jacob Jordaens (1593-1678): Drawings and Prints (volume 2). Antwerp: Koninklijk Museum voor Schone Kunsten: Gemeenekrediet, 1993.
Meij, A. W. F. M. Rubens, Jordains, Van Dyck, and Their Circle: Flemish Master Drawings from the Museum Boijmans van Beuningen. Rotterdam: Nai, 2001.

Kelly
Bois, Yve-Alain. Ellsworth Kelly: The Early Drawings, 1948-1955. Cambridge: Harvard University Art Museums, 1999.
Bois, Yve-Alain. Ellsworth Kelly, Tablet 1948-1973. New York: The Drawing Center, 2002.
Cooper, Harry. Ellsworth Kelly: Self-Portrait Drawings 1944-1992. New York: Matthew Marks Gallery, 2003.
Kiehl, David. Ellsworth Kelly: Colored Print Images 1976-77: The Creative Process. New York: Susan Sheehan Gallery, 1995.
Labrusse, Rémi, and Eric de Chassey. Henri Matisse, Ellsworth Kelly: Plant Drawings. Paris: Editions Gallimard/Centre Pompidou, 2002; New York: Gingko Press, 2002.
Semff, Michael, and Marla Prather. Ellsworth Kelly: Plant Drawings, 1948-2010. Munich: Schirmer/Mosel, 2011.
Waldman, Diane. Ellsworth Kelly: A Retrospective. New York: Guggenheim Museum, 1997.

Kirchner
Grisebach, Lucius. Ernst Ludwig Kirchner, 1880-1938. New York: Taschen, 1999.
Grisebach, Lucius, and Wolfgang Henze. Ernst Ludwig Kirchner: Zeichnungen, Aquarelle, Pastelle. Nürnberg: Kunsthalle Nürnberg, 1991.
Ketterer, Roman N. et. al. Ernst Ludwig Kirchner: Drawings and Pastels. New York: Alpine, 1982.
Kort, Pamela. Ernst Ludwig Kirchner: Berlin Street Scene. New York: Neue Galerie Museum for German and Austrian Art, 2007
Moeller, Magdalena M., and Lloyd, Jill. Ernst Ludwig Kirchner: The Dresden and Berlin Years. London: Royal Academy of Arts, 2003.
Moeller, Magdalena M., and Scotti, Roland. Ernst Ludwig Kirchner: Gemälde, Aquarelle, Zeichnungen, und Druckgraphik. München: Hirmer, 1988.
Wye, Deborah. Kirchner and the Berlin Street. New York: The Museum of Modern Art, 2008.

Klee
Glaesemer, Jürgen. Paul Klee: Handzeichnungen. 3 vols. Bern, 1973, 1984, and 1979.
Grohmann, Will. The Drawings of Paul Klee. New York: Curt Valentin, 1944.
Grohmann, Will. Paul Klee Drawings. New York: Abrams, 1960.
Kersten, Wolfgang, and Droste, Magdalena. Paul Klee als Zeichner 1921-1933. Berlin, Bauhaus Archiv, 1985.
Lanchner, Carolyn. Paul Klee. New York: The Museum of Modern Art, 1987.
Haftmann, Werner. The Mind and Work of Paul Klee. New York: Praeger, 1954.

La Tour
Bury, Adrian. Maurice-Quentin De La Tour: The Greatest Pastel Portraitist. London: Charles Skilton, 1971.

Le Brun
Beauvais, Lydia. Charles Le Brun 1619-1690, 2 vols. Paris: Réunion des Musées Nationaux, 2000.
Montagu, Jennifer. The Expression of the Passions: The Origins and Influence of Charles Le Brun’s ‘Conférence sur l’expression générale et particulière’. New Haven: Yale University Press, 1994.

Leonardo
Bambach, Carmen. Leonardo da Vinci, Master Draftsman. New York: The Metropolitan Museum of Art, 2003.
Chastel, André. Leonardo da Vinci: Les Études de draperie. Paris: Herscher and Réunion des musées nationaux, 1989.
Clark, Kenneth. The Drawings of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle, 3 vols. London: Phaidon Press, 1968.
Clark, Kenneth. Leonardo da Vinci: An Exhibition of Drawings by Leonardo da Vinci from the Royal Collection. London: The Queen’s Gallery, Buckingham Palace, 1969.
Clayton, Martin. Leonardo da Vinci: The Anatomy of Man: Drawings from the Collection of Her Majesty Queen Elizabeth II. Houston: The Museum of Fine Arts, 1992.
Gombrich, Ernst H. “Leonardo’s Method for Working out Compositions,” Norm and Form. London: Phaidon, 1966, pp. 58-63.
Gombrich, Ernst H. “The Grotesque Heads,” The Heritage of Apelles. Ithaca: Cornell University Press, 1976, pp. 57-75.
Kemp, Martin. Leonardo. New York: Oxford University Press, 2004.
Popham, A. E. The Drawings of Leonardo da Vinci. London, 1946, revised 1994.

LeWitt
Cross, Susan, and Denise Markonish, eds. Sol LeWitt: 100 Views. North Adams: MASS MoCA. New Haven: Yale University Press, 2009.
Garrels, Gary. Sol LeWitt: A Retrospective. San Francisco Museum of Art. New Haven: Yale University Press, 2000.
Legg, Alicia, ed. Sol LeWitt. New York: The Museum of Modern Art, 1978.
Maffei, Giorgio, and Emanuelle de Donno. Sol LeWitt: Artist’s Books. Spoleto: GcAM Galleria civica d’Arte Moderna. Sant’Eraclio di Foligno: Viaindustriae, 2009.
Reynolds, Jock. Sol LeWitt- Twenty-five Years of Wall Drawings, 1968-1993. Andover: Addison Gallery of American Art. Seattle: University of Washington Press, 1993.
Singer, Susanna, ed. Sol LeWitt Drawings 1958-1992. The Hague: Haags Gemeentemuseum, 1992.

Filippino Lippi
Goldner, George R. and Carmen C. Bambach. The Drawings of Filippino Lippi and His Circle. New York: The Metropolitan Museum of Art, 1997.
Shoemaker, Innis Howe. Filippino Lippi as a Draughtsman. New York: Columbia University dissertation (Ann Arbor: Xerox University Microfilms), 1975.

Mantegna
Lightbown, Ronald W. Mantegna: with a complete Catalogue of the Paintings, Drawings, and Prints. Berkeley: University of California Press, 1986.
Martineau, Jane, ed. Andrea Mantegna. New York: The Metropolitan Museum of Art, 1992.

Martin
Bell, Tiffany, and Frances Morris. Agnes Martin. London: Tate Modern, 2015.
Princenthal, Nancy. Agnes Martin: Her Life and Art. New York: Thames & Hudson, 2015.
Rosenberger, Christina B. Drawing the Line: The Early Work of Agnes Martin. Oakland: University of California Press, 2016.

Matisse
Barr, Alfred H. Matisse: His Art and His Public. New York: Museum of Modern Art, 1951.
Carlson, Victor I. Matisse as a Draughtsman. Baltimore: Baltimore Museum of Art, 1971.
Cowart, Jack, et. al. Henri Matisse: Paper Cut-Outs. New York: St Louis Art Museum and Detroit Institute of Arts, 1977.
Elderfield, John. The Cut-Outs of Henri Matisse. New York: Braziller, 1978.
Elderfield, John. The Drawings of Henri Matisse. New York: Thames and Hudson, 1985.
Flam, Jack. Matisse on Art. Berkeley: University of California Press, 1995.
Fourcade, Dominique. Henri Matisse: dessins et sculpture. Paris: Musée National d’Art Moderne, 1975.

Michelangelo
Chapman, Hugo. Michelangelo Drawings: Closer to the Master. New Haven: Yale University Press, 2005.
Hartt, Frederick, Michelangelo Drawings. New York: Abrams, 1970.
Hirst, Michael. Michelangelo Draftsman. Washington, D.C.: National Gallery of Art [Milan: Olivetti], 1988.
Hirst, Michael. Michelangelo and His Drawings. New Haven: Yale University Press, 1988.
Joannides, Paul. Michelangelo and His Influence: Drawings from Windsor Castle. Washington, D.C.: The National Gallery of Art, 1996.

Millet
Laughton, Bruce. The Drawings of Daumier and Millet. New Haven: Yale University Press, 1991.
Murphy, Alexandra R. et al., Jean-François Millet: Drawn into the Light. Williamstown, Sterling and Francine Clark Art Institute, 1999.

Monet
Ganz, James A. and Richard Kendall, The Unknown Monet: Pastels and Drawings. Williamstown, Sterling and Francine Clark Art Institute, 2007.

Murillo
Brown, Johnathan. Murillo & His Drawings. Princeton: Art Museum/Princeton University Press,
1976.

Palma Giovani
Rosand, D. “Palma Giovani as Draughtsman,” Master Drawings, II, 1970, 148-161.

Parmigianino
Bambach, Carmen. Correggio and Parmigianino: Master Draughtsmen of the Renaissance. London: British Museum, 2000.
Béguin, Sylvie, et. al. Parmigianino: The Drawings. Turin/London: Umberto Allemandi, 2000.
Degrazia, Diana. Correggio and his Legacy: Sixteenth-Century Emilian Drawings. Washington, D.C.: National Gallery of Ary, 1984.
Ekserdjian, David. Parmigianino. New Haven: Yale University Press, 2006.
Popham, A. E. Catalogue of the Drawings of Parmigianino, 3 vols. New Haven: Yale University Press, 1971.

Parri Spinelli
Zucker, Mark J. “Drawings by Parri Spinelli, the Gothic El Greco,” Drawing, XVII, 1, 1995, 7-12.

Piazzetta
Knox, George. Piazzetta: A Tercentenary Exhibition of Drawings, Prints, and Books. Washington: National Gallery of Art (Cambridge University Press), 1983.

Picasso
Galassi, Susan Grace, and Marilyn McCully. Picasso’s Drawing, 1890-1921: Reinventing Tradition. New York: Frick Museum. New Haven: Yale University Press, 2011.
Glimcher, Arnold, and Marc Glimcher. Je suis le cahier: The Sketchbooks of Picasso. New York: Pace Gallery. Boston: Atlantic Monthly Press,1986.
Karmel, Pepe. “Le Laboratoire central: Cubist Drawings in the Musée Picasso,” in Cubist Picasso, 149-62. Paris: Musée Picasso, 2007.
Karmel, Pepe. Picasso and the Invention of Cubism. New Haven: Yale University Press, 2003.
Léal, Brigitte, et. al. Picasso, jeunesse et genèse: dessins, 1893-1905. Paris: Musée Picasso, 1991.
Madeline, Laurence. Picasso, Ingres. Paris: Musée Picasso, 2004.
Richardson, John. A Life of Picasso. 3 vols. New York: Random House, 1991-
Seckel, Hélène, and Brigitte Léal. Les Demoiselles d’Avignon. 2 vols. Paris: Musée Picasso, 1988.
Tinterow, Gary. Master Drawings by Picasso. New York: Braziller, 1981.
Tinterow, Gary, et. el. Picasso in the Metropolitan Museum of Art. New Haven: Yale University Press, 2010.

Pisanello
Fossi Todorow, Maria. I Disegni del Pisanello e della sua cerchia. Firenze: Olschki, 1966.
Syson, Luke. Pisanello: Painter to the Renaissance Court. London: National Gallery, 2001.

Pissarro
Becker, Christoph, Barbara Stern Shapiro, et. el. Camille Pissarro. (Stuttgart: Staatsgalerie) Ostfildern-Ruit: Hatje Cantz, 1999.
Boulton, Alfredo. Camille Pissarro en Venezuela. Caracas, 1966.
Brettell, Richard, and Christopher Lloyd. A Catalogue of the Drawings by Camille Pissarro in the Ashmolean Museum, Oxford. Oxford: Clarendon Press, 1980.
Huda, Lulli. Camille Pissarro: Drawings from the Ashmolean Museum, Oxford. London: Morley Gallery, 1977; Nottingham University Art Gallery, 1978; Eastbourne: Towner Art Gallery, 1978.

Pollock
Davidson, Susan, et. al. No Limits, Just Edges. Jackson Pollock: Paintings on Paper. New York: Solomon R. Guggenheim Foundation, 2005.
Langhorne, Elizabeth L., “Jackson Pollock: Early Sketchbooks and Drawings,” Art Journal, 58, 2 (summer, 1999), 112-115.
Oberhuber, Konrad. Jackson Pollock: Works on Paper. Vienna: Galerie Ulysses, 1994.
O’Connor, Francis V. and Eugene V. Thaw. Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works, vols. I-IV. New Haven: Yale University Press, 1978.
Rose, Bernice. Jackson Pollock: Works on Paper. New York: Museum of Modern Art, 1969.
Rose, Bernice. Jackson Pollock: Drawing into Painting. New York: Museum of Modern Art, 1980.
Varnedoe, Kirk. Jackson Pollock. New York: Museum of Modern Art, 1998.
Wysuph, C. L. Jackson Pollock: Psychoanalytic Drawings. New York: Horizon Press, 1970.

Pontormo
Cox-Rearick, Janet. The Drawings of Pontormo: A Catalogue Raisonné with Notes on the Paintings. 2 vols. New York: Hacker, 1981.
Nigro, Salvatore S. Pontormo Drawings. New York: Abrams, 1992.

Poussin
Blunt, Anthony. The Drawings of Poussin. New Haven: Yale University Press, 1979.
Clayton, Martin. Poussin: Works on Paper: Drawings from the Collection of Her Majesty Queen Elizabeth II. London: Merrel Holberton, 1995.
Rosenberg, Pierre, and Louis-Antoine Prat. Nicolas Poussin, 1594-1665: Catalogue raisonné des dessins. 2 vols. Milan: Leonardo, 1994.
Rosenberg, Pierre, and Louis-Antoine Prat. Nicolas Poussin: La collection du Musée Condé à Chantilly. Paris: Réunion des musées nationaux, 1994.

Raphael
Ames-Lewis, Francis. Draughtsman Raphael. New Haven: Yale University Press, 1986.
Gere, John A. Drawings by Raphael. London: The British Museum, 1983.
Joannides, Paul. The Drawings of Raphael: With a Complete Catalogue. Berkeley: University of California Press, 1983.
Joannides, Paul. Raphael and His Age: Drawings from the Palais des Beaux-Arts, Lille. Cleveland Museum of Art, 2002.
Whistler, Catherine, and Ben Thomas. Raphael: The Drawings. Oxford: Ashmolean Museum, 2017.

Redon
Bacou, Roseline. Odilon Redon: Pastels. New York: Braziller, 1987.
Druick, Douglas W. Odilon Redon: Prince of Dreams. Chicago: The Art Institute; New York: Abrams, 1994.
Hauptman, Jodi. Beyond the Visible: The Art of Odilon Redon. New York: Museum of Modern Art, 2005.
Hobbs, Richard. Odilon Redon. Boston: New York Graphic Society, 1977.
Jirat-Wasiutynski, Vojtech. “The Charcoal Drawings of Odilon Redon,” in Dethloff, Diana, ed. Drawing: Masters and Methods, Raphael to Redon. New York: Abrams; London: Royal Academy of Arts, 1992.
Larson, Barbara. The Dark Side of Nature: Science, Society, and the Fantastic in the Wrok of Odilon Redon. University Park: Pennsylvania University Press, 2005.
Redon, Odilon. À Soi-même: Journal (1867-1915), Notes sur la vie, l’art et les artistes. Paris: H. Floury, 1922.
Redon, Odilon. To Myself: Notes on Life, Art, and Artists. New York: Braziller, 1986.
Stuffman, Margret, and Max Hollein. Odilon Redon: As in a Dream. Ostfildern: Hatje Cantz;
Frankfurt: Schirn Kunsthalle, 2007.

Rembrandt
Bakker, Boudewijn, et. al. Landscapes of Rembrandt: His Favorite Walks. Bossum: Thoth Publishers, 1998.
Benesch, Otto. Rembrandt as a Draughtsman. London: Phaidon, 1960.
Bisanz-Prakken, Marian. Drawings from the Albertina: Landscape in the Age of Rembrandt. Alexandria, VA: Art Services International, 1995.
Bisanz-Prakken, Marian. Rembrandt and His Time: Masterworks from the Albertina, Vienna. Milwaukee Art Musuem. Manchester, VT: Hudson Hill Press, 2005.
Duparc, Frederik J. Landscape in Perspective: Drawings by Rembrandt and His Contemporaries. Montreal: The Montreal Museum of Fine Arts, 1988.
Giltaij, Jeroen. The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen. Rottendam, 1988.
Royalton-Kisch, Martin. Drawings by Rembrandt and His Circle in the British Museum. London: British Museum Press, 1992.
Schatborn, Peter. Tekeningen van Rembrandt, zijn onbekende leerlingen en navolgers (Drawings by Rembrandt, his anonymous pupils and followers). ‘s-Gravenhage: Staatsuitgeverij, 1985.
Schatborn, Peter. Rembrandt: The Master and His Workshop. Vol. 2: Drawings and Etchings. New Haven: Yale University Press, 1991.
Schneider, Cynthia P. Rembrandt’s Landscapes. New Haven: Yale University Press, 1990.
Slive, Seymour. Drawings of Rembrandt, 2 vols. New York: Dover Publications, 1964.
Williams, Julia Lloyd. Rembrandt’s Women. Munich, London, New York: Prestel, 2001.

Ribera
Brown, Jonathan. Jusepe de Ribera: Prints and Drawings. Princeton: Princeton University Press, 1973.
Finaldi, Gabriele. Jusepe de Ribera: The Drawings: Catalogue raisonné. Madrid: Museo Nacional del Prado, 2016.
Mena Marqués, Manuela B. “Drawing in the Art of Ribera” in Jusepe de Ribera. New York: Metropolitan Museum of Art, 1992.

Ricci
Rizzi, Aldo. Sebastiano Ricci disegnatore. Milan: Electa, 1975.

Rodin
Elsen, Albert, and J. Kirk T. Varnedoe. The Drawings of Rodin. Washington: National Gallery of Art, 1971.
Judrin, Claudie. Rodin: Drawings and Watercolors. New York: Thames & Hudson, 1983.
Lampert, Catherine. Rodin: Sculpture and Drawings. London: Arts Council of Great Britain, 1986.
Le Normand-Romain, Antoinette, and Christina Buley-Uribe. Auguste Rodin: Drawings & Watercolors. New York: Thames & Hudson, 2007.

Rubens
Held, Julius. Rubens: Selected Drawings. 2 vols. New York: Phaidon, 1959.
Held, Julius. Oil Sketches of Peter Paul Rubens: A Critical Catalogue. Princeton: Princeton University Press, 1980.
Logan, Anne-Marie, and Michiel C. Plomp. Peter Paul Rubens: The Drawings. New York: The Metropolitan Museum of Art, 2005.
Meij, A. W. F. M. Rubens, Jordains, Van Dyck, and Their Circle: Flemish Master Drawings from the Museum Boijmans van Beuningen. Rotterdam: Nai, 2001.
Rowlands, John. Rubens: Drawings and Sketches. London: British Museum, 1977.
Sutton, Peter C. and Marjorie E. Wieseman. Drawn by the Brush: Oil Sketches by Peter Paul Rubens. New Haven: Yale University Press, 2004.
Wood, Jeremy. Rubens Drawing on Italy. Edinburgh: National Gallery of Scotland, 2002.

Saint-Auban
Bailey, Colin. Gabriel de Saint-Aubin 1724-1780. Musée du Louvre and Frick Collection, 2007.

Schiele
Benesch, Otto. Egon Schiele as a Draftsman. Vienna: State Printing Office of Austria, 1946.
Dabrowski, Magdalena, and Rudolf Leopold. Egon Schiele: The Leopold Collection, Vienna. New York: The Museum of Modern Art, 1997.
Elsen, Albert, “Drawing and a New Sexual Intimacy: Rodin and Schiele,” Egon Schiele: Art, Sexuality, and Viennese Modernism (Patrick Werkner, ed.). Palo Alto: Society For the Promotion of Science and Scholarship, 1994.
Kallir, Jane. Egon Schiele: Drawings and Watercolors. New York: Thames & Hudson, 2003.
Nebehay, Christian M. Egon Schiele Sketchbooks. New York: Rizzoli, 1989.

Seurat
Franz, Erich, and Bernd Growe. Georges Seurat: Drawings. Boston: Little, Brown and Co., 1984.
Hauptman, Jodi. Georges Seurat: The Drawings. New York: The Museum of Modern Art, 2007.
Herbert, Robert L. Seurat’s Drawings. New York: Shorewood Publishers, 1962.

Tiepolo
Aikema, Bernard. Tiepolo in Holland: Works by Giambattista Tiepolo and His Circle in Dutch Collections. Rotterdam: Museum Boijmans van Beuningen, 1996.
Byam-Shaw, James. The Drawings of Dominico Tiepolo. Boston: Boston Book & Art Shop, 1962.
Knox, George. Catalogue of the Tiepolo Drawings in the Victoria and Albert Museum. London: Her Majesty’s Stationery Office, 1960.
Knox, George, et. al. Domenico Tiepolo, Master Draftsman. Bloomington: Indiana University Press, 1996.
Knox, George. Giambattista and Domenico Tiepolo: A Study and Catalogue Raisonné of the Chalk Drawings. 2 vols. Oxford: Clarendon Press, 1980.
Knox, George. Tiepolo, a Bicentenary Exhibition 1770-1970: Drawings, Mainly from American Collections (Fogg Art Museum, 1970). New York and London: Garland, 1977.
Rizzi, Aldo. Giambattista Tiepolo: disegni dai Civici musei di storia e arte di Trieste. Milan: Electa, 1989.

Tintoretto
Falomir, Miguel, ed. Tintoretto. Madrid: Museo del Prado, 2007.

Titian
Chiari Moretto Wiel, M. Agnese. Titian Drawings. New York: Rizzoli, 1990.
Wethey, Harold E. Titian and His Drawings. Princeton: Princeton University Press, 1987.

Twombly
Sylvester, Julie. Cy Twombly: Fifty Years of Works on Paper. New York: Whitney Museum of American Art, 2004.
Larsen, Susan C. Cy Twombly: Works on Paper 1954-1976. Newport Beach: Newport Harbor Art Museum, 1981.
Varnedoe, Kirk. Cy Twombly: A Retrospective. New York: Musuem of Modern Art: Abrams, 1994.

Esaias van de Velde
Keyes, George S. Isaias van den Velde. Doornspuk: Davaco, 1984.

Veronese
Cocke, Richard. Veronese’s Drawings, with a Catalogue Raisonné. Ithaca: Cornell University Press, 1984.

Verrocchio
Covi, Dario. Andrea del Verrocchio: Life and Work. Florence: Olschi Editore, 2005.

Villard
Barnes jr., Carl F. and L. Shelby. “The Codicology of the Portfolio of Villard de Honnecourt (Paris, Bib. N., MS. Fr. 19093),” Scriptorium 42/1, 1988, 20-48.

Vouet
Thuillier, Jacques. Vouet. Paris: Réunion des musées nationaux, 1990.

Watteau
Brugerolles, Emmanuelle. Boucher, Watteau, and the Origin of the Rococo. Paris: École Nationale Supérior des Beaux-Arts, 2004.
Grasselli, Margaret Morgan. “The Drawings,” in Watteau. Washington, D.C.: The National Gallery of Art, 1984 .
Huyghe, René. Watteau’s Universe (Les Carnets de dessins). Woodbury NY: Barron’s, 1970(?).
Rosenberg, Pierre, and Louis-Antoine Prat. Antoine Watteau, 1684-1721: Catalogue raisonnée des dessins. 3 vols. Milan: Leonardo, 1996.